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  • Writer's pictureFaiz Faisal

Sunday Short: Voices in the Dark


Light cast on a brick wall

Alia had always been a quiet girl, the kind of child who seemed content with her own company. Her parents attributed her introverted nature to an overactive imagination, filled with "imaginary friends" she often spoke of. She was a mystery to everyone, never revealing much about herself. This only deepened when, in high school, she was mercilessly bullied by her seniors. After that, Alia became even more reclusive, retreating into a world known only to her.


One evening, her parents found her in her room, screaming and thrashing, her eyes wide with terror. She spoke of figures in the shadows and whispers that urged her to harm herself and her family. Alarmed, her parents rushed her to see doctors. The diagnosis was schizophrenia, and Alia was put under close monitoring and treatment. But the medication and therapy did little to quell the chaos in her mind. Instead, she grew more aggressive, lashing out at her parents, those around her, and herself.


Around this time, the town was gripped by fear. Four high school students had gone missing, and so had a neighbor's dog and a gas station attendant. Whispers of a serial killer spread like wildfire, casting a shadow of suspicion and fear over everyone, especially Alia’s parents. They were desperate, seeking answers from doctors who had none. Alia's condition worsened, and the whispers grew louder.


Then, one night, Alia's parents discovered something far more terrifying than they could have ever imagined. In a moment of chilling clarity, Alia confessed to the disappearances. The four high schoolers were her tormentors. She had tampered with one of their cars, causing a fatal accident that left their bodies charred in a fiery wreck at the bottom of a hill. The gas station attendant had made the mistake of harassing her; she had stabbed him in the throat, leaving his body to rot in the nearby woods. And the neighbor's dog? It was her first victim. Annoyed by its incessant barking, she had silenced it forever with a brick.


As Alia recounted her deeds, it became clear that the figures and whispers weren't symptoms of schizophrenia but manifestations of her guilt. The people she had killed haunted her, not as hallucinations but as reminders of her monstrous acts. Alia wasn't schizophrenic; she was a cold-blooded killer, hiding behind the guise of mental illness.


Her parents were left in stunned silence, the weight of her confession sinking in. They had sought help, believing their daughter to be a victim of a cruel and unforgiving mind. Instead, they discovered she was the orchestrator of a series of gruesome murders. The town’s missing persons were not the work of a random serial killer but their own daughter, driven by vengeance and bloodlust.


In the end, Alia's story was not one of a girl tormented by her mind but of a girl who had let her darkest impulses take control. And as her parents handed her over to the authorities, they were left to grapple with the horrifying truth: their daughter was not schizophrenic but a true psychopath, hiding behind whispers and shadows to conceal her monstrous reality.

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